Demonstrations Of Music

Techniques of Playing the Koto

Yoko demonstrates some of the techniques of playing the Koto. The strings are plucked with three picks, called plectrums or otsume, which are attached to the thumb and first two fingers. The pitch of the Koto is determined by the placement of the bridge or oji. The Koto must be tuned for the key of each piece of music. There are no frets like a guitar. Yoko demonstrates pitch variation, including Hikiiro, Atooshi, and Oshihanashi.

Sea in Springtime

“Sea in Springtime” by blind composer, Michio Miyagi, is a well-known Japanese composition. It begins and ends depicting the calmness and serenity of the sea in springtime. The middle section shows the restlessness of the sea. It is performed here by Yoko Fitzpatrick on the Koto and her late husband Dennis Fitzpatrick plays the Syakuhachi flute part on a Synthesizer.

Sakura (Cherry Blossoms)

Yoko Fitzpatrick presents 5 of her youngest students (ages 8-14) who were only trained for less than 6 months to play the Koto. They are dressed in their summer Kimonos (Yukata) and performed in Las Vegas, Nevada in 2005 playing “Sakura” (Cherry Blossoms):
Cherry blossoms, cherry blossoms, cherry blossoms,
The whole sky is misty or cloudy with a sweet smell.
Let’s go, let’s go view the blossoms.”

Rokudan (Kotos with Sangens)

Rokudan by Kengyou Yatsuhashi, is a very traditional example of classical Koto music from 18th century Japan. Every Koto player will know this piece. It is not played with a Koto stand but in the original Japanese manner of performing on a red carpet. The piece also uses the Sangen, played here by Yoko Fitzpatrick alongside her year 1 & 2 students on the Koto.

Vivaldi Largo (RV 93)

The Kotoists perform the slow movement from a concerto in D major (RV 93) by Antonio Vivaldi for Lute and orchestra. The Lute is played with a plectrum as is the Koto. Kotos can easily play some classical music.

Student Reviews